Why I am not proud

This comes to me by way of Maya Mikdashi and the folks at Jadaliyya:

It’s a float from 2011′s San Francisco Pride. It shows a dungeonmaster dominating Mahmoud Ahmadinejad. There’s a whip involved, but mainly he’s fucking the Iranian with a nuclear bomb.

Jadaliyya headlines this “No Comment,” and probably it’s healthier for what’s left of my gay identity, and ungay sanity, not to dwell on it.  I feel like I’ve been putting up with other people’s overspill of testosterone for several days now, from the guy downstairs whose pit bull seems to be killing a giant squid at great length, to the baltageyya an ocean away who assaulted a women’s march in Cairo. But as I wrote rather inarticulately yesterday, you can only address the operations of power by first thinking them through — you know, trying to unpack a bit what’s at work there. So shoulder to the wheel; let’s try to extract some useable lessons from this very American, very gay piece of imperial performance art.

1) Rape is funny, depending on who you’re raping. Not funny-strange or funny-abnormal, but funny-ha-ha.  So, for that matter, is nuclear war!   Why give head in front when you can give warhead from behind?

What’s funny about it, though? Freud argued (in Jokes and their Relation to the Unconscious) that humor is a safety-valve for thoughts society inhibits; jokes play much the same role for the collective imagination that dreams do for the individual’s. But they release the repressed temporarily only to restore the social order in the end. Comedy is conservative. It puts the bounder, the miscreant, the climber or the rebel in his (or her) place, by saying, finally: this is who you are.

Rape is funny, then, when it reminds the raped (and the onlookers) of what’s inescapable, the self he can’t get away from. Inferiority is always a matter of interiority, the inner — penetrable — person placed, defined, exposed. Now, look at Ahmadinejad again. Who is he, really? Isn’t he a bit … familiar?

Cartoon from Der Stürmer, for another annual celebration: “The Year is Over. The Battle Goes On.”

Really, these hook-nosed Eastern types need some big blond leathery Meister to whack, or fuck, the presumption out of them 24/7.  (The Iranians have this notion that they’re Aryan somehow, and such arrogance especially calls out for the whip.) This is a fascinating instance of how grossly anti-Semitic imagery is so ingrained in Western modernity — the Jew as synonym for weakness, effeminacy, corruption — that it’s a floating, limpetlike defilement. It doesn’t even require actual Semites to glom onto. (I say nothing here about what you can assume are the pro-Israel, and particularly pro-Netanyahu, implications of the display. I suppose if you read Joseph Massad you might argue that Israeli discourse is also capable of exploiting anti-Semitism on its own terms. But then, I would never read Joseph Massad, would I?)

no comment

Of course, what’s more satisfying than insulting Ahmadinejad by alleging he’s not really a proper male, just one of those squirmy little degenerates? It’s a feel-good thing for two reasons: it disses the the odious Mahmoud, while it affirms Manhood in general, including yours and mine. Ideologically, men are so damn easy to please.

Brown people are born to bottom. This is a fundamental fact, as it were: one in which politics has clearly seized the steering wheel away from desire. Plenty of white gay men, in the Bay Area as well as other precincts, undoubtedly harbor fantasies of being topped by some darker, muscled Other in a sweaty, hairy abnegation of one’s personal power, one’s private nuclear arsenal: an arms treaty for the ages. But these dreams are luxuries to be sacrificed for the national good, for the sanctified collective purpose, the way Americans submitted to gas rationing to beat the Nazis, or gave up — remind me, what did we give up? — to win the Iraq war. Politically, brown people are perpetually being screwed, and it’s only natural that sex (which in essence is politics without the voting, like the rest of politics these days) should reflect that. Sex is also an excellent way of reminding them of the fact.

You can see what I mean by comparing the Pride photo to an image that must have been clanking around somewhere in the back of the floatmasters’ minds, one of the most celebrated stills from any American film:

yee haw

Of course, that’s Slim Pickens riding the bomb down to oblivion and Armageddon at the terminus of Dr. Strangelove. He’s in pretty much the same position as the megaton-wielding Master on the float, with the Russians (honorary brown people for Cold War purposes) positioned where the Iranians now stand in our diminished day. Although this is an anti-war film, notoriously subversive of the military verities, there’s no suggestion anywhere that any proper American is going to have his buttcheeks opened to insert weaponry. That would be, one supposes, too subversive — one turn of the screw too many, a fuck too far. (Instead the movie presents American soldiery as obsessed by Purity of Essence, keeping the holy jism bottled up and restrained for the Big Moment when its outburst is required. Or think Deliverance or Pulp Fiction, where the key to national masculinity is maintaining a clenched anus, despite all the menacing forces — from Vietnamese captors to Appalachian S&M freaks — trying to pry it open.)

2) It also depends on who’s doing the raping. Not just anybody can accomplish the curative and conservative function. The question is: who’s got the power?

(Re)consider, please, the following two photographs — I discussed them yesterday. Both accompanied Mona Eltahawy’s article on Middle Eastern women, in Foreign Policy magazine this spring. This is the one FP chose for the article itself — a famous shot of an Egyptian demonstrator abused and stripped by police:

This really had to go with Eltahawy’s essay — it was too well known to leave out. But they wouldn’t and didn’t put it on the cover, to draw a Western reader in. Why not? Well, it wouldn’t seduce, it wouldn’t draw. The people doing the dominating there aren’t Us (to borrow Eltahawy’s terms): they’re Them, those Arabs, and the problem with them is they have too much power. No purchaser of FP in DC is going to be turned on by the politically suspect sight of them exerting it. Many viewers, in fact, saw the photo as especially disturbing because the bra made the woman seem like Us, prone at Their mercy — a commodity like underclothing is notoriously a more accurate indicator of a woman’s identity than voice or face. Who can stand to see a Westernized woman subdued by Their violence? Thus Sally Quinn wrote:

Aside from the sheer brutality, I think what got to me was that she was wearing this gorgeous, sexy bright blue bra. … This person covered from head to toe demonstrated her beliefs through her choice of underwear. The blue bra said what I imagine her to be feeling: “I may be oppressed. I may not have rights. I may have to cover up my body and face. But you cannot destroy my womanhood. You can’t rob me of my femininity. You can’t take away my power.”  That blue bra, to me, was the ultimate symbol of women’s power.

Me, I am no bio woman, just a poor aging drag queen on a Saturday night. But please, please, I want me a talking bra.

The cover photo FP chose instead, of course, was this:

Now, that woman has taken off her clothes not for Them, but for Us (not to mention how she’s painted on that fetching, Ayisha-meets-Al-Jolson blackface niqab). Look at her! She’s looking right at Us, acknowledging that she’s at our command!  Of course, it’s a voluntary stripping she’s undertaken. It isn’t rape per se. But you don’t need to be an acolyte of Catherine MacKinnon (I’m not, believe me) to realize that the fantasy of women’s willing submission is intrinsic to the pornographic imagination. (It’s one reason it’s hard to argue that porn actually incites violence against women: most porn doesn’t need it.) This photo, unlike the aggressive-Arabs one, shows the right kind of Sex at Issue here. Like ha-ha rape, it puts Them in their place, while pumping up Ours.

And now I see why, as part of the endless wars over “gay executions” in Iran, so many Western activists laugh — ha, ha! — at the idea that Iranian men might rape other men. That’s impossible. It’s allotting Them too much power. Iranian men (remember those small penises!) probably aren’t able to rape Iranian men: bottoms bomb, rather literally, when they try to top. Even if They can rape, We won’t allow Them to. As the Pride photo shows: that’s Our job.

6 thoughts on “Why I am not proud

  1. Loved it. At the height of US aggression of Iraq in 1993( I may be confused abt the date) similar cartoon depicting Saddam H taking it from the rear appeared everywhere. Seems like this is simply a recurrent feature with US imperialism.

  2. Excellent post, but for one important point: The GLBT Pride Parade and its management take no position on political issues that aren’t all about “gay rights”. Elsewhere in the Parade are anti-Imperialist queers, anti-Zionists, Muslims, Arabs, etc… Tending to 1st Amendment absolutism there is very little that would be forbidden by the Parade Committee, and disgusting though this is, I’d be concerned for any precedent that banning it would create. This float does not represent the entire parade, but just one group within it. I’d like very much to know which one. Saying that doesn’t mean that I’m naive enough to think much of the crowd disapproved or disagreed with this idiotic, racist, sexist travesty, but still, let’s put responsibility where it belongs.

  3. And granted it’s a quibble, but yes, Persians are indeed Aryans, or as we say since the 1940′s, “Indo-European.” That the Shah made such a point of that was certainly an effort to align with western racists and distinguish themselves from Arabs. Until the Nazis abused the term, “Aryan” referred to the peoples of a very broad family of languages that range from the Celtic and Romance languages to Persian, Urdu, and many Indian languages. In that sense “Aryan” peoples include a broad range of physiognomies and colors.

  4. Pingback: VOTE on SF Pride! Do you want a) an anti-war whistleblower, or b) a pro-war, bomb-promoting, racist, rape-inciting float in your Parade? | a paper bird

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